“His perception, reflected from the women’s side, takes place within suited environments, perfect lighting (which creates quite interesting climates) and a very original musical model, not only in the dichotomy that presents the flamenco guitar of Alfredo Lagos with the classical guitar played by Antonio Duro or the voices of Eva de Dios, who runs through orthodox singing canons, and the young Rosalía, a “flamenco soprano” with an angelic timbre; but also in the rhythmic contributions printed by the components of the Lorca Project, with the saxophone and the percussion.”
Source: Diario de Jerez
Photo: Daniel M. Pantiga, Esteban Abión
